whether you live always in sadness Why do the tall pine and white poplar Bring wines and perfumes and the too-brief You'll leave your boughten lands and your house you're rich and of ancient lineage We are all gathered to the same place: HORACE* *(Quintus Horatius Flaccus, Venusia, December 8, 65 BC – Rome, November 27, 8 BC, known in the English-speaking world as Horace, was the leading Roman lyric poet during the time of Augustus.)Keep A Tranquil Mind
Remember in difficult times to
keep a tranquil mind, and in good times
to keep from becoming overjoyed,
my Dellius who is yet to die,
or on festal days in far-off field
reclining you take delight in a
famed vintage of Falernian wine.
love to unite their foliage in
inviting shade? Why does the rushing
water press on through its winding banks?
flower that blooms on the lovely rose
while good fortune and our youth allow,
and the dark threads of the three Sisters.
in the country, washed by the Tiber —
you'll leave them, and some heir will acquire
the wealth you piled high. And whether
or you're poor and sleep beneath the stars,
in the end it makes no difference: for
pitiless Orcus will have your soul.
the lot of all is turned in the urn
of Fate, who will come forth and place us
in the skiff, for eternal exile.
Wednesday, August 25, 2010
Serenity
Saturday, August 21, 2010
Gods In Color: Painted Sculpture Of Classical Antiquity :: COLOURlovers

A recent touring exhibition is turning a long held common belief on its head. The common perception is that the great statues and buildings of ancient Greece and Rome were all pure unpainted stone or green tarnished bronze, but researchers have been arguing that this may not been what these classic monuments really looked like back in the era of their creation. That, in fact, these statue's were quite alive and vibrant, full of color.
Researchers believe, particalurly Vinzenz Brinkmann who has been doing this research for the past 25 years, that artists used mineral and organic based colors and after centuries of deterioration any trace of pigment leftover when discovered, would have been taken off during any cleaning processes done before being put on display, washing the historical art clear of its true colors.
The findings of this research completley changes the commonly held modern ideas of the ancient world, and the way we view modern sculpture and art today, much of which was based on those classical Greek and Roman styles.
more @:
1. http://www.archaeology.org/0801/trenches/colorgods.html
2. http://www.washingtonpost.com/wp-dyn/content/article/2008/05/02/AR20080502009...
Image rights: Stiftung Archaeologie